“Why do we need the darkness of the night to see the stars?”
-Bossi

  • Candlelight flickers by my bedside
    Casting shadows ‘cross the walls of pearly white
    A curious pair of lovers intertwined
    They always seem to dance together
    The dark and the light
    I guess that’s life

    But I remember summer days
    When I could hardly wait
    So full of expectation
    I’d lie in bed awake
    Praying for the world to arrive on a silver spoon
    Before I ever knew there was a dark side of the moon
    Now I know the truth

    Sometimes I wish I could take all this pain away
    Return us to the innocence of those bygone summer days
    When we’d look up at the sunny sky
    And all we saw was light
    Why do we need the darkness of the night
    To see the stars?

    Candlelight flickers by my bedside
    Casting shadows cross the walls of pearly white
    A curious pair of lovers intertwined
    They always seem to dance together
    The dark and the light
    I guess that’s life
    I guess that’s life
    Always darkness and light
    Always dark and light

  • When you feel my breath upon your neck
    Affirm the ardor of my existence
    Savoring the sacred in each exhale
    While lying laced between my limbs
    Inhale
    Exhale
    Inhale
    Exhale
    My essence condenses on yours
    Evidence that, while elusive,
    Time is tangible
    A gift that cannot be returned
    Though it may seem like the sands
    Are suspended in the hourglass
    Breath tells the truth…
    I am one exhale closer to joining the wind
    And chose to be here with you
    So breathe deeply
    Bask in the breeze that we share
    And when I place my hand upon your chest
    To move with its rise and fall
    Turn your face towards mine
    And smile

  • Can’t you see the beauty
    That lies behind his eyes?
    Can’t you see the spark of soul
    That we dehumanize?
    Can’t you see a man
    That had a mother and a life?
    How do you think your God feels
    Watching you snuff out his light?

    Can’t you see that blackness
    Is the world’s amazing way
    To boast how many colors
    That a rainbow can display?
    Would you want to go and murder
    The blueness in the sky?
    Perhaps the greenest grass
    Should all be left to die?
    Or maybe yellow hair
    No longer seems to fit
    Within our painter’s palette,
    So let’s get rid of it

    You see we made a choice
    To label blackness as a sin
    To use our every weapon
    To make this lie sink in
    To let the stink of history
    Build up and sit it rot
    Until our nose went blind
    To all the crimes that we forgot

    And every day that we refuse
    To recognize these wrongs
    We choke another bird
    And we silence sacred songs
    For if we preach that every life
    Was sewn by holy twine
    How can it be that this man’s voice
    Matters less than mine?
    How can we be a moral country
    And laud our bill of rights
    If rights only mean something
    For those of us born white?
    Can’t you see that freedom
    Can never truly be
    If we allow one people
    To decide what color means?

    Oh as I watched him dying
    I couldn’t help but see
    The future of our nation screaming
    “Help me, I can’t breathe!”

  • What if when we spoke of the wild woman
    She was beautiful?

    What if when we spoke of the wild woman
    She held sunsets in her eyes
    And a breeze in her arms
    That could settle the jangling of bones?

    What if her song was stillness
    And her brew wasn’t newt’s tail and snake’s tongue
    But flower petals and raindrops
    That gave name to the restlessness of soul?

    What if instead of baking children in her oven
    She made smores by the fire
    And taught them to search for their dreams
    By tracing the delicate lines of their palms
    Straight to the throbbing in their hearts?

    What if the wild woman wasn’t crazy
    Out of control, alone in the wood?
    What if she weren’t old and haggard
    With whiskers and beard hair
    Hunched over a cauldron
    Alone in a cave?
    What if she weren’t a witch, a crone, a spinster
    Something to be feared, choked off and removed from society?
    What if she weren’t the evil temptress, the succubus, the fall of all humanity?
    Burned at the stake, cast from the garden
    Covered from head to toe.

    What if when we spoke of the wild woman
    She was kind and loved, happy and wise?
    What if she were curious and content, revered and requested
    Celebrated even for her inherent connection to the body and the blood.

    Perhaps then more women would seek out their wild nature
    That yearns to feel and to play
    They may trust their intuition
    Recognize their power
    Is worth more than the circumference of their thigh

    But that would be too dangerous
    That would disrupt the world
    That would set women free
    And keep them from serving the needs of men
    Before bowing to the needs of their soul.

  • Every morning I am Genesis
    Playing God with a cup of Joe
    Inventing tiny miracles
    I’ll create as the day unfolds

    Every morning I am Springtime
    Buds ready to explode
    Teasing seductive fragrances
    Flirting coyly with my nose

    Oh wondrous anticipation
    Such promise in the unknown
    Each day I am a newborn babe
    Expecting milk and ripened fruits

    Every sunset I’m in mourning
    Hosting funerals for my dreams
    All the springtime flowers wilting
    ’Neath the heat of missed opportunities

    Yes, every evening I am dying
    With the sun that bleeds across the sky
    But though salt may stain my pillow
    Tomorrow I will rise

  • Consider this the return of pen to paper
    For I wrote it with my own two hands
    Connecting with the paltry pain of the page against my palm
    As my pen made its pilgrimage to poetry

    Do you remember how it feels to use your hands,
    To place your thoughts like strands of pearls
    Onto something tangible?

    When was the last time you faced the fear
    Of making a mark so plain and clear
    It could not be erased?

    I know you can scratch it out or strike it through
    Cover it up with black or blue,
    But underneath those words persist
    Like proof that we must coexist
    With what we deem unpresentable.

    Sometimes I feel unpresentable,
    Like initial iterations imprinted in ink

    So many missteps, redirects
    A thousand threads that don’t connect.
    I’m circumspect to recollect mistakes I’ve made
    That still reflect my imperfections
    Despite all my attempts to deflect them.

    Consider this my return to art in it’s messiest form,
    For I made it the long way
    Tracking every thought through the thicket
    On its mission from seed to flower.

    Do you remember what it’s like to plant a seed?
    The amount of faith a person needs
    To see a petal in a tiny speck?

    Have you considered what it takes to grow,
    The distance that a seed must go
    To rise with pride above the dirt,
    To assert its worthiness to flirt with the sun?

    It sits for months in dark and worms
    A thousand things that take their turn
    At rooting it out, as if to say,
    ”Your dream to grace a bright bouquet
    Is nothing but naïveté.”

    Sometimes I feel naive
    Like a seed looking up at a flower…
    Summoning every ounce of power
    To birth a bloom so shamanistic
    Some will call it unrealistic,
    Or at best just optimistic
    To insist this dirt’s complicit in
    Propelling me upwards towards the sun.
    And through an other-worldly love,
    Will be what turns me inside out
    To reveal that life’s about expression,
    The perception that as messy as it seems,
    Through transformation we redeem
    Mistakes we’ve made that still reflect our imperfections.
    And one of the best ways to correct them,
    Is to harvest their lesson
    Then replant our intentions.

    For even scorched earth can sprout a tree
    If below it holds a seed
    That still believes that it can reach
    The promise of it’s destiny.
    Just like the pilgrimage of my pen reached poetry

    God, sometimes I feel like poetry

  • We have returned together
    To the place where you were raised
    And everything that made you
    Clothes me in your fabric

    I think I may know you now
    Not with the mind, not even with the heart
    But with all of my senses

    The way your five-year old tongue wrapped around it's first tomato
    Learning that there could be an eruption of sweet and sour at once
    I have discovered your fingers sticky with gelato
    And wind-whipped hair that’s been tossed in the salt of the sea

    Yes, here I know you more fully
    Because I taste what you tasted,
    Consume what lured you from your morning slumber
    And finally see the way pink light bounces off ancient stone
    It is here where I get a glimpse of the horizon from beneath your olive skin
    Here where I find your propensity for perfection
    In the patterns of every perfectly tailored suit
    Here where all of the space between my cells
    Gets saturated in the honey of your poetry

    For I can smell your youth in the scent of the pine
    And hear those things that would have melted into the distance of familiarity
    Like the sound of tires crossing cobblestone streets

    And with every sip of rustic red wine
    I get drunk on your secret recipe
    I get drunk on your history
    I get utterly intoxicated by you

  • My feet are sure upon the earth
    Advance despite unease
    Made to move, to cross, to search
    They’ve forced my eyes to see

    On a quest I met a room
    Locked ‘hind a wooden door
    It seemed a jail, perhaps a tomb
    Where someone’s dark was stored

    On the ground I saw a key
    T’was golden like the day
    But if I use it, then I’ll see
    Whatever’s locked away

    Should I stop and turn around?
    Trace steps that lead back home?
    To the comfort of the ground
    That I have always known?

    For a moment I stay frozen
    But my feet are far too bold
    Their path already chosen
    That key placed in its hole

    The heavy door swings open wide
    So dark, I grab my light
    To reveal what lies inside
    A grotesque, crushing sight

    There before me lay my shadow
    A shamed, dismembered thing
    That I’d left rotting in the bedclothes
    To fester, mold and stink

    The pain of seeing what I killed
    Was much for me to bear
    The mangled heart left unfulfilled
    Though lifeless, was still there

    My feet like magnets for the wild
    Stepped in and brought me straight
    To wrap my shadow like a child
    To hold her still and wait

    The seconds felt like winter days
    The hours passed like years
    Standing with the dead decay
    Now soaking with my tears

    But soon I saw the room was lit
    No shadows anymore
    And with my tears and with my spit
    I cleaned that blood-stained floor

    Then built an altar for my sin
    To ne’r forget her name
    For though her guts once touched my skin
    I’ve washed away the blame

    Here in this once darkened room
    I place a chair and sit
    To write new songs, let flowers bloom
    For shame has lost its grip

    I’ve met him plainly, know his face
    His nature left a mark
    And I learned how to offer grace
    When meeting in the dark

    This is why I trust my feet
    More than I trust my head
    For they have taken narrow streets
    That I’ve been taught to dread

    They have chosen creeping
    Over steep and hard terrain
    They have been truth-seeking
    Through rough winds and acid rain

    My feet have often recognized
    That foul as they may be
    Demons must be baptized
    If I’m ever to walk free

    Because of them I stand intact
    In the fullness that is me
    For I have been to hell and back
    To love the girl you see